Best Heritage Museum Long Beach Near Me

4worldlovers: At their core, the works in this exhibition look to the landscape for insight. Transitory, used to describe ephemera, Katz renders in the context of the natural world. Her inquests reveal the environment as a physical, three-dimensional space within an immaterial realm. And from this realm, she examines our complex relationship with Nature. Her reiterations of the landscape with various painting media consider the impermanence of all things—including the works themselves. These ideas are presented in three bodies of work concurrently: Mixed Media Monoprints, Watercolors, and Interventions as they relate to landscape painting.

Posed with the question, “How do you define an alternate reality within the medium of photography?”, artists from across Southern California were encouraged to examine the multitude of narratives apparent in any given photograph. The Museum extends a warm thank you to the jurors, Deanna Templeton and Robert von Sternberg, each dedicated to the medium of photography, and highly esteemed in their individual practices.

Allison Anderson, Ricardo Asthenia, Matthew Brabant, Ray Bravo, Louise Buckley, Mykeko Carmona, Dillon Chang, Stephen Childs, Zachariah Corbin, Rachel Deruyter, Ailene deVries, Roland Escalona, Daniel Gonçalves, Noah Gottesman, Andrés Hernández, Louis Jacinto, DeAnn Jennings, Kovi Konowiecki, Volha Krayeva, Taylor Lacayo, Chris Lagares, Immanuel Leka, Toria Maldonado, Ashley Moore, David Palmer, Amit Pandey, Ashley M. Ratcliff, Joshua Rayburn, Zachary Ruddell, Kevin Saenz, Rana Salloom, Linnea Stephan, Jaymee Sumpter, Tasman Thorsness, Joseph Van Hooten, Drew Vaughn, Todd Weaver, and Michael Wells.

Brimming to the rafters, Points of Intersection by Serbian-American artist Daniela Soberman references the architecture of her family’s first home in former Yugoslavia. Home in this context, is a place of impermanence; a temporary dwelling familiar only because of the people who share in its assemblage. Made of contoured interlocking panels that jut hard edges from the connecting axes, the site-specific installation bears a tremendous presence. Soberman has long been interested in the idea of façades; much of her work appears one way, but is inherently the opposite. This installation is no exception. Despite its monumental scale, the artist’s edifice is light as a feather. The scale, the fragility, and the nature of its construction determined by the hands who came together to build it, speak in equal parts to the constraints we place upon the ‘worlds’ we create. This cobbling together of disparate pieces, reveals an inextricable human spirit.

In the tattoo studio, artists are called to perform; clients request their hand to illustrate a pre-conceived idea, approved and transferred from carbon paper to skin. In their studio practice comes the freedom to move out of line, to work without expectation, and explore different mediums and subject matters. Co-curated with San Pedro-based artist Nathan Kostechko, this exhibition examines the latter— artists who navigate a fine line between an external perception of their work via tattooing, and their own interests, backgrounds, and cultural heritage that inform a wider practice. Many of these artists have helped pave the way for others with multi-faceted creative work in today’s contemporary culture.

Participating artists: Daniel Albrigo, Emma Bagley, Shawn Barber, Shay Bredimus, Bryan Burk, Scott Campbell, Danie Cansino, Matt Carignan, Aron Dubois, Gianni Gigliotti, Don Ed Hardy, Mat Hurtado, Coulter Jacobs, Jesse Jaramillo, Nathan Kostechko, Chris Martin, Matt McCormick, Mister Cartoon, Shizu Saldamando, Tamara Santibañez, Cheyenne Sawyer, Zac Scheinbaum, Derrick Snodgrass, and Carlos Torres.

In 1952, the Long Beach Museum of Art—then Municipal Art Center, introduced the Purchase Award. The annual juried exhibition invited California artists practicing between the Mexico border and Santa Barbara to submit a painting or sculpture of any size, depicting any subject—the only requirement being it was completed within the previous two years. Each year, at least one juried artwork was purchased by the Museum, and subsequently accessioned into the Permanent Collection.

1962-1972: Southern California Exhibitions, on view in the Josephine Molina Gallery focuses on the works exhibited and acquired during this decade, under the leadership of then Director Jason Wong. The Purchase Award tells a rich history of supporting, exhibiting, and collecting the artists of our time in every decade. Works by artists including Melvin Edwards, Tony Berlant, and Phyllis Davidson offer a distinct window into the social, cultural, and political ideas during this era.

Tristan Eaton showcases two exhibitions at LBMA Downtown in conjunction with All At Once at LBMA. A selection of the artist’s work from the LBMA Permanent Collection includes a floor to ceiling mural made with Nychos during Vitality and Verve: Transforming the Urban Landscape.