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Paul Weisser attended Cornell University, majoring in literature and philosophy. After briefly studying law at Harvard University, he returned to literary studies and received his Master’s degree in English Language and Literature from the University of Chicago, and then his Ph.D. in Dramatic Art from the University of California at Berkeley.


While at Berkeley he specialized in stage direction and dramatic theory. He was a guest lecturer on comic theory at the American Conservatory Theater in San Francisco, and a director at the San Francisco Playhouse. Later he was a guest director and Visiting Assistant Professor of Drama at Antioch College in Yellow Springs, Ohio, and then an Assistant Professor of Drama at the University of California at Santa Barbara.


Pursuing his creative interest in comedy and animation, he spent two years in the former Yugoslavia working for Zagreb Film as a writer, director, editor, and associate producer of animated and documentary films, and then moved to London to work as a writer for the Educational Film Centre and as a writer and associate director for Bob Godfrey Films. With the latter, he was a co-author of Great, winner of the Academy Award for animation in 1975.


Upon returning to the United States, he worked briefly in Hollywood as a writer for Wolper Productions before turning to freelance writing and editing. He has taught book editing at the University of California in Berkeley, and is an Adjunct Professor of Literature, Theater, and Creative Writing at Greenwich University in Australia. Most recently, he has completed the authorized stage adaptation of The Clown, a novel by Heinrich Böll, winner of the Nobel Prize for Literature in 1972.


Dr. Weisser has edited more than 100 books for academic and commercial publishers, including University of California Press, Stanford University Press, Oxford University Press, Cornell University Press, Sierra Club Books, HarperCollins Publishers, Warner Books, North Atlantic Books, Wadsworth Publishing Company, Lawrence Hall of Science, Institute of East Asian Studies, University of California Art Museum, and others.

He also helps individuals, in person or on the internet, with nonfiction books, novels, short stories, children’s stories, screenplays, speeches, poetry collections, doctoral dissertations, master’s theses, articles, papers, proposals, brochures, flyers, letters, resumés, and tutorial instruction.

In addition to editorial and writing assistance, he can provide desktop publishing services, guide you through every step of self-publishing, or refer you to an appropriate publisher, producer, or literary agent.

Walter L. Adamson, Hegemony and Revolution: Antonio Gramsci’s Political and Cultural Theory

Delmer M. Brown and Ichiro Ishida, The Future and the Past: A Translation and Study of the “Gukansho,” An Interpretative History of Japan Written in 1219

Meir Dan-Cohen, Rights, Persons, and Organizations: A Legal Theory for Bureaucratic Society

Herbert Fingarette and Ann Fingarette Hasse, Mental Disabilities and Criminal Responsibility

Todd Gitlin, The Whole World Is Watching: Mass Media in the Making and Unmaking of the New Left

Arthur D. Howard, Geologic History of Middle California (California Natural History Guides, No. 43)

Paul Jabber, Not By War Alone: Security and Arms Control in the Middle East

Eugene Lunn, Marxism and Modernism: An Historical Study of Lukacs, Brecht, Benjamin, and Adorno

John B. Oakley and Robert S. Thompson, Law Clerks in Judges’ Eyes: Perceptions of the Qualities and Functions of Law Clerks in American Courts

James Olney, The Rhizome and the Flower: The Perennial Philosophy — Yeats and Jung

Milton Silverman et al., Pills and the Public Purse: The Routes to National Drug Insurance

Wallace J. Thies, When Governments Collide: Coercion and Diplomacy in the Vietnam Conflict, 1964–1968

Arthur E. Wise, Legislated Learning: The Bureaucratization of the American Classroom

Mark Wyman, Hard Rock Epic: Western Miners and the Industrial Revolution, 1860–1910